In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility - present in novels, essays, popular songs, film, and political writings - helped create an 'aesthetic of fascism' in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did...(展开全部)

In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanes...(展开全部)

A major Marxist thinker and critic in 1930s Japan, Tosaka Jun was among the world’s most incisive—yet underrecognized—theorists of capitalism, fascism, and ideology during the years before World War II. The Japanese Ideology is his masterpiece, first published in 1935, as Japan and the world plummeted into an age of reaction. Tosaka offers a ruthless philosophical critique of c...(展开全部)

A major Marxist thinker and critic in 1930s Japan, Tosaka Jun was among the world’s most incisive—yet underrecognized—theorists of capitalism, fascism, and ideology during the years before World War II. The Japanese Ideology is his masterpiece, first published in 1935, as Japan and the world plummeted into an age of reaction. Tosaka offers a ruthless philosophical critique of c...(展开全部)

Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception -- a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural -- and still consummate -- theorist of "dromology" (the theory of speed and ...(展开全部)

In this classic study, Reich provides insight into the phenomenon of fascism, which continues to ravage the international community in ways great and small.Drawing on his medical expereinces with men and women of various classes, races, nations, and religious beliefs, Reich refutes the still generally held notion that fascism is a specific characteristic of certain nationalitie...(展开全部)

In this classic study, Reich provides insight into the phenomenon of fascism, which continues to ravage the international community in ways great and small.Drawing on his medical expereinces with men and women of various classes, races, nations, and religious beliefs, Reich refutes the still generally held notion that fascism is a specific characteristic of certain nationalitie...(展开全部)

本书作者保罗•维利里奥作为艺术批评家、城市规划者、和平策略家，可以说是当代最激进坦率的“后现代解密者”。维利里奥的哲学核心是科技、速度、城市、虚拟、事件、意外、失序等概念群。

作者 大贯惠美子（Emiko Ohnuki-Tierney），威斯康星大学-麦迪逊人类学系教授，以历史人类学、象征人类学见长。早年研究底特律的华人，后转向阿伊努人，再转向日本人。美国艺术与科学院院士，多次获古根海姆和其它学术奖。主要作品有：《神风特攻队日记：反思日本学生兵 》（2006）；《神风特攻队、樱花与民族主义：日本历史上美学的军国主义化》（2002）；《作为自我的稻米：日本人穿越时间的身份认同》（1993）；《穿越时间的文化：人类学的路径》（主编，1990）；《作为镜子的猴子：日本历史与仪式的转化》（1987）；《当代日本的疾病与文化：人类学的观点》（1984）；《萨哈林岛阿伊努人的疾病与治疗：一个象征解释》（1981）等。 译者 石峰，人类学博士，贵州师范大学历史与政治学院教授。